Even with the pandemic throwing a huge
monkey wrench into current movie production, true originality and
creativity in Hollywood has suffered for decades. The reason is easy
to figure out, movie producers simply do not want to take risks with
their money. So instead they go with tried and true film formulas and
repeatedly do countless reboots, sequels, prequels, and remakes.
This allows the big movie producing
boys and girls to make enough money to buy their third home high in
the hills of the Italian Rivera, their second yacht, and that super
nice business jet where the casting couch is the size of a
queen-sized bed. The under-educated masses don't mind, they get their
regular dose of excessive gunfire, explosions, superheroes, and just
enough wild sex to blunt the growing midnight-black abyss at the
center of their consumerist lives. Whoa, went really dark there for a
minute and on second thought, I have to include my own movie
preferences in what the under-educated masses line up to watch
during the dog days of summer.
The lack of originality is common with
movies of all genres. If one studio puts out a movie about a plucky
team of astronauts putting life and limb in danger to stop a giant
asteroid from colliding with Earth and causing a mass extinction, you
can bet another studio has its own version following closely behind.
The same goes for chick flicks, if one story of a down on her luck
single momma goes big, other studios are surely working on their
version.
Now there is nothing inherently wrong
with this business plan. Unless a producer and director want to go
all high brow, European experimental cinema there are only so many
ways to tell a story. Full disclosure, I watched one of the
experimental films once and went away with bad dreams for weeks. I'll
stick with Bond girls, burly and unrealistic action heroes, and
starships battling evil invaders.
While there are only so many ways to
tell a story people can relate, it would still be nice if the movie
studios tried to get outside the damn box every now and then. But
since movie studios can't imagine even peering over the rim of the
same box to fresher ideas outside, we get the same boilerplate
stories year after year.
The best example are the Terminator
movies that have never really found a way to tell a different story
from the first two. The one exception, Terminator: Salvation with
Christian Bale tried to tell the story of the man/ AI conflict from
another angle but is widely considered one of the worst. Yes, the
worst is Terminator: Dark Fate which is a betrayal of T2 and even the
fans on so many levels I refuse to watch it.
However, as unlikely as it may sound
there are film makers taking these tired tropes into new and
interesting directions.
A new and little known group called
Dust Film Studios produces short films that are high quality and
extremely thought-provoking. The majority of these films are posted
on YouTube for free and there have been several times I spent two to
three hours watching one after the other. My favorite though involves
a Terminator-like battle between aggressive, sentient androids and
humans. The chilling aspect though is that this war for survival
takes place in the relative here and now.
The film is called “Singularity”
and was directed by Samuel Jorgensen back in 2015. Warning, I'm going
full spoiler here but it takes nothing away from the film.
The seven-minute film begins with a
black screen and a news report saying the situation had gotten
progressively worse over the last week with fighting engulfing
Washington DC. At the beginning it's not mentioned that the enemy is
androids with bad attitudes, nor is any backstory given about what
caused them to go all Skynet-like and killing humans. With the screen
still black another reporter breaks in saying that Marine One, the
president's helicopter, has been shot down somewhere in Washington DC
with POTUS in it. In less than a minute a truly dire situation has
been established and I was on the edge of my seat wanting more the
first time I saw the film.
The first actual scene of the film
shows a Blackhawk helicopter and three Apache gunships in the skies
heading to the location of the downed Marine One. Riding inside the
Blackhawk is a Delta Force team out to rescue POTUS.
The Blackhawk briefly lands next what
looks to be a ruined hospital deploying the Delta Force troopers who
head inside one of the buildings. The production value of this film
is incredibly high with the actors decked out in high tech armor
quite close to the equipment used in actual combat areas. Each actor
is also holding what looks to be a highly accurate M4 assault rifle
prop. One of the problems with these types of films involving
military operations is the lack, or outright absence, of proper
equipment. The other typical problem with the films are actors who
simply do not look like soldiers. The actors in Singularity have the
exact look and bearing of experienced soldiers.
The Delta guys slowly go through the
corridors of the war-damaged hospital looking for the president. The
hospital is eerily quiet as they proceed with the only dead bodies
they encounter being that of the president's Secret Service detail.
They link up with the president and
begin the long haul back outside to the extraction point where
another helicopter will be waiting. The president, while alive, is
gravely injured and can barely walk. They don't move far before
making contact with the enemy. The president calls the androids
“clinkers” and once again, we're given no information on what
brought on their rampage.
A running battle commences with the
Delta guys taking heavy causalities as they move with the president.
It is here that we our first, brief look at the enemy. The clinkers
are clearly mechanical humanoids and at first glance do not stray far
from a Terminator whose fresh has been burned away leaving nothing
but the silver endoskeleton.
With most of the Delta rescue team
dead, the two remaining troopers and the president are on the verge
of getting out of the building. That's when the clinkers begin a
heavy push forcing one of the troopers to stay behind in the last
room providing cover for the president and his protector to get
outside.
Even though the last soldier and the
president do get outside, their ride out of the combat zone is still
a full minute away. And yes, the clinkers are converging on their
location with guns blazing. With the last Delta trooper providing
cover, he tells the president to sprint towards the MH-53 Pave Low
chopper as its sets down.
The president makes it to the chopper
with the last Delta soldier fighting off clinkers as they rush his
position. The Pave Low chopper takes off and just as the Delta
trooper is about to be overrun one of the damn Apache gunships
finally shows up and turns most of the attacking clinkers into chunks
of scrap metal.
Curiously, seconds later one of the
surviving clinkers walks up next the Delta trooper, who is expecting
immediate death, and just watches the president's rescue chopper as
it goes out of range. The scene then cuts away from the lone trooper
and the clinker and transitions to the president sitting in the
chopper.
For a second or two everything looks
like a happy ending with the president being saved. That's when the
president looks straight ahead and you see electric flashes in one of
his eyes. We are left with the clear impression that the president
has either been altered by the clinkers or completely replaced with
an android double. Either way the president is now a two-legged
Trojan Horse in the middle of a war that gives every indication of
going badly for the Americans.
Just to make the tactical situation
even more of a dire shit-show, the last scene of the film is a shot
of the Washington skyline. Off in the background much of Washington
is one fire including the Capitol Building. While in the foreground,
we see the Washington Monument taking a direct missile hit and
collapsing into rumble.
The first time I saw this film I was
breathless at the ending, even with no backstory nor explanation of
why the clinkers went rogue. This is the type of story that would
make an awesome movie and shows what is lacking in the big production
blockbusters we get today.
The budget for this short film had to
have been small, but despite that the production values equaled many
of the movies produced by the big studios. I even went as far to
search the internet for any sign that this was just the first stage
of turning Singularity into a major motion picture. I found nothing
to suggest that was the case.
Yes, it was the unanswered plot points
that made this such a great film. Despite that I still want to know
why the clinkers were developed and what caused them to turn on their
creators. Most of all I want to know what their ultimate goal is in
their war with humans. Recognition of their freedom from cruel
servitude, or outright destruction and enslavement of their former
masters. Given the clinkers no-holds barred fighting in Washington
DC, I see dark times ahead for the Americans. Needless to say, if
you've got seven minutes to spare and like great story telling, find
Singularity on YouTube.
4 comments:
Man! I know this is supposed to be serious, Bum ... as far as talking about flix. But the start of this had me laughing "down on her luck single momma" .... heh, heh, heh, heh, heh {:-) "burly unrealistic action heroes battling evil invaders", etc. I hardly watch any movies, once in the while I go to a theatre, I got Netflix (on a family deal, I don't pay for it), I watched a futuristic series on that a couple years back, I told you about, Can't even remember the bloody title now {:-( Yesterday I watched some regular tele, this channel called "MeTV" was showing a series of the old "The Untouchables" with Robert Stack as Eliot Ness (late 1950's and early 1960s), that was in black & white, but I really enjoyed watching it, probably would bore most people {:-) ... Watched an old John Waters film I converted from VHS on to DVD a couple weeks back called "Pink Flamingos" a couple weeks back (John Waters 1972), and about a month ago watched "Speak of the Devil: The Canon of Anton LaVey" (early 1990s), which is a documentary of the Church of Satan (my daughter bought me the DVD for Fathers day).
My mistake ... it wasn't MeTV ... it was Heroes & Icons Channel
Ooo - that sounds like a great short film! I confess that I prefer action movies to chick flicks - especially if there is some humor too.
I grow frustrated, too, and for all of the same reasons. I would love to see the big studios go small every once in a while but why would they when they can make so much more off the blockbusters? It wasn't always like that. Casablanca was made for $1 million. Even adjusted for inflation, that's nothing compared to the budget for even a terrible film now.
One does have to work harder to find the edgier stuff. We (usually) have a film festival in Montpelier every year which brings a lot of interesting, independent movies, particularly documentaries. The Oscar shorts are well worth the time, too, if you can find a theater that screens them.
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